Orthography is conventionalized, and the contemporary Roman grammarians’ comments lack clarity, so that to a considerable extent it is necessary to extrapolate from later developments in Romance in order to describe it. On the whole, linguists think that Latin probably sounded something like Italian, though some features make it close to Castillian Spanish.
By the time of the Late Roman Republic
(i.e. in the 1st c. BC) the Latin alphabet consisted of 23 letters, named
and pronounced as shown in the following table:
In addition
to the consonants shown, educated Roman speakers evidently used a series
of voiceless aspirated stops, written ph [
],
th [
],
ch [x], originally borrowed from Greek words but also occurring in native
words (pulcher beautiful,
lachrima
tears,
triumphus
triumph,
etc.) from the end of the 2nd century BC. The rh, surely not distinguished
phonetically from r, was written in the beginning of the Greek loan words
only (like rhetor,
rhombus etc.).
The sound [
]
(as in English ‘sing’), written ng
or gn, may not have had phonemic status
(in spite of the pair annus/agnus
year/lamb,
in which [
]
may be regarded as a positional variant of [g]).
Consonants written double in the classical period were probably so pronounced (a distinction was made, for instance, between anus old woman and annus year). When consonantal i appeared intervocalically, it was always doubled in speech.
In the technical vocabulary of the
Roman grammarians the consonants
p, t, c,
k,
q, b, d, g were called mutae
mute
and the consonants l, m, n, r
liquidae
liquid.
Vowels’
Quantity and Quality
The Latin vowels differed in their quantity (i.e. time of pronunciation) into short, pronounced for a time of one mora, and long, pronounced for a time of two morae. Because the system of vowel length was lost after the classical period, it is not known with any certainty how vowels were pronounced at that period; but, because of later developments in Romance, the assumption is that the vowel-length distinctions were also associated with qualitative differences, in that short vowels were more open, or lax, than long vowels.
The distinction between short and
long vowels was grammatically significant,
cf. hora
hour
vs.
horâ
at
(this) hour, now, and since early times the Romans tried to mark
the difference by writing two consequent letters (eg. AA for [a:]),
by putting an “apex” (`) as at the end of the Roman Republic or an acute
accent (') as by the time of the Empire. This practice was, however, never
universally and uniformly accepted. In the late Middle Ages it became conventional,
especially in the manuals, to mark the long vowels by putting a stroke
over the letter (eg.
for [a:]) or by circumflex accent over it (eg. â for [a:]),
while the short vowels were marked by a small bow over the letter (
,
,
,
,
).
In Classical Latin the length system was an essential feature of verse, even popular verse, and mistakes in vowel length were regarded as barbarous. In later times, however, many poets were obviously unable to conform to the demands of classical prosody and were criticized for allowing accent to override length distinctions.
Classical pronunciation also used
some diphthongs pronounced by educated Romans much as they are spelled,
especially ae (earlier ai), pronounced
perhaps as an open long e [
:]
in rustic speech, au (rustic open long
o [
:]),
and oe (earlier oi, late Latin e).
Moreover a neutral vowel was probably used in some unaccented syllables
and was written u or i
(optumus, optimus
best), but
the latter rendering became standard.
The Roman grammarians tried to establish
formal rules about determining the vowels’ length. According to them vowel
before another vowel or h was always short, e.g. puer boy,
veho
carry.
Vowels were long by nature, as in corôna
crown,
or by position, when a vowel was followed by two or more
consonants (x
being considered two
consonants ), as in locûsta
lobster;
the combination of a mute and a liquid consonant did not, however, lenghten
the preceding vowel, thus the e in
tenebrae
darkness,
the i in arbitror
think, believe and
the u in volucris
bird were thought
short because br,
tr
and cr all were combinations of a mute
and a liquid consonant. The diphthongs were considered always long.
Syllable
(Syllaba)
Syllable consists of a vowel or
a diphthong with or without one or more consonants. The Roman grammarians
considered the syllable short if its vowel was short, and long if its vowel
was long..They elaborated several major rules about the syllables:
The way vowels developed in prehistoric Latin suggests that there was a heavy stress accent on the first syllable of each word, but in later times the accent fell on the penultimate syllable or, when this had light quantity, on the antepenultimate (much as in modern Italian). The nature of this accent is hotly disputed: contemporary Roman grammarians seem to suggest it was a musical, tonal accent and not a stress accent; thus Varro contrasts the pitch (altitudo) of a sound with its length (longitudo) (De Lingua Latina, 210, 10-16, GS). This view is traditionally uphold by the French linguists. If this were so, the acoustic effect of Latin would be quite different from later Romance. It is possible, however, that Latin grammarians were merely imitating their Greek counterparts, as all the Latin grammar was built up on the pattern of the Greek one (See The Origin of the Latin Grammar Terms). It is implied that the fact that in Latin accent is linked with syllable vowel length makes it unlikely that such an accent was tonal. Probably it was a light stress accent that was normally accompanied by a rise in pitch; in later Latin evidence suggests that the stress became heavier.
The system of syllable quantity,
connected with that of vowel length, must have given Classical Latin distinctive
acoustic character. Broadly speaking, a light (or open)
syllable
ended in a short vowel and a heavy (or closed)
syllable
in a long vowel (or diphthong) or a consonant. The distinction must have
been reflected to some extent in late Latin or early Romance, for, even
after the system of vowel length was lost, light syllables often developed
in a different way from heavy syllables.
Later
changes in Pronunciation
In the course of time the classical
pronunciation have gradually changed. By the epoch of the Late empire (3rd
and 4th c.) the diphthongs ae
and oe were equalized with the short
e
and au with the short o. The pronunciation
of y coincided with that of i
and by then the letter name ypsillon was replaced in the popular language
by i graeca Greek i.
The most important phonetic change
of that period was, however, the
palatalization of c
and
g before the anterior vowels e
and i and the equalized with them ae,
oe
and
y. In this position c
was changed in Gaul and Spain to [ts] and in Italy and on the Balkans to
[
],
cf.
F.
ciel [sjel],
Sp.
cielo ['
jel
],
Port.
ceu
[seu] vs. It. celo ['
el
],
Rum.
cer
[
er],
all from L. coelum.
G was palatalized
in all Latin speaking world to [
].
The consonantal
i [j] was also transformed
to [
].
T
before short
i was palatalized everywhere
to [ts], if not preceded by s, t, x;
thus we have natio ['natsj
]
nation,
lectio
['l
ktsj
]
lecture,
but ostium ['
stjum]
mouth
(of river), Bruttium ['bruttjum]
name
of province in Southern Italy, mixtio ['mikstj
]
mixture,
totius [t
'ti:us]
(with
long i).
Ch and th lost their aspiration in the pronunciation and were equalized with c [k] and t.
The pronunciation of the imperial period was used later throughout the Middle Ages with some variations influenced by the particularities of the living local idioms. The International Congress of living Latin, held at Avignon in 1957, recommended the usage of the classical pronunciation. The following congresses at Lyon (1961), Strasbourg (1963), Rome (1966), Bucharest (1970), Malta (1973), Dakar (1977) and Trier (1981) reaffirmed this recommendation.
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Zdravko Batzarov